Edward Sharpe & The Magnetic Zeros - Man On Fire [Official Video]

This piece gave me chills. The official video for Man On Fire by Edward Sharpe & The Magnetic Zeros is nothing short of touching. Not only is the song beautiful, but I love the genuine feel that this piece has. Nothing is trying to be perfect, it's just passionate people doing what they're passionate about, and having fun while doing it.

Photo of the Day - True Grit

True Grit, a photo by francescadistefano on Flickr.

Via Flickr:
Part of The Silver State

CRCR

Hands down some of the best animation I have seen in a long time. I especially love their mixture of animation and real footage in Break the Law of Silence. For more check out their site here.

Lorn - 'Ghosst(s)'

Break The Law of Silence

Les chiens isolés

Vésuves

The Wedding of Joseph Koelsch & Emily Walker

I was lucky enough to get to spend the last weekend down in Memphis, Tennessee celebrating my brother's wedding. I spent the entire weekend capturing all the events and the video below is the result. The footage was shot on a Canon 7D with a 24-70mm and a 16-35mm lens. The audio was recorded live using a Zoom H4N from a band we saw on Beale Street called Two Weeks Notis. Enjoy.

EyeShop

Fun little animation from Trevor Conrad and Alexander Perry for a revolutionary new iPhone app that will help people with vision problems to shop at grocery stores.

Photo of the Day - Untitled

Untitled, a photo by patrickjoust on Flickr.

Via Flickr:
Yashica Mat 124

Fujichrome T64

Portraits Revisited

I was going through my old videos on my Vimeo page recently and came across the video below; a portrait of my girlfriend Lisa. It really jumped out at me. I forgot how much I loved it, and at the time I had planned to do many more of these. That was a year ago and Lisa was the only one I've done. I figure because I'm so animation focused these days I owe it to myself to revisit this little portrait series...

Photo of the Day - Shamrock

Shamrock, a photo by SLOhound1 on Flickr.

We Are Seventeen

Sick little typography piece from We Are Seventeen.

CATOW

Not long ago my work buddy, David Ayling, approached me about an idea he and his former co-workers had.  He pitched me a simple show about an ad agency run by hipster cats called CATOW.  Coincidentally, CATOW's biggest rival in the market is a company called DOGMA which run entirely by coked up dogs.  Needless to say this short synopsis had me intrigued and I was eager to help on the creation.  It was left up to me to come up with how we were going to actually build these episodes, all I had to go off of were some plastic cat toys that Dave had photoshopped.  As I began thinking about it I knew the backgrounds would have to be fairly realistic to match that cats I was already provided.  My brain led me to Aqua Teen Hunger Force.  I have been a big fan of this show and had always been intrigued about how they built the background plates for the episodes.  Their style lies somewhere between Adobe Illustrator texturing and photo realism.  I thought this would be a perfect style to replicate for CATOW.

A brief Google search brought me Jay's Illustration of Life and this little tutorial.  I took the principals from Jay's site and started to create my own backgrounds.

I started with some simple sketches of Tom's Office and Stone's Office.

Tom Caterson's Office

Stone Catow's Office

From this point I went into Adobe Illustrator and built out the rooms.  At this stage it is important to think about layering and breaking objects into several shapes to make texturing easier. For instance, Tom's desk is broke into 3 separate parts (Top, Front, and Side). This makes it a lot easier for me to texture each side individually in Photoshop. The giant red dot is my point for the One Point Perspective I used to create the rooms.  As you can see there are a lot less elements for Stone's office because it required less things to be textured, it was more made up of objects than anything else.

Tom Caterson's Office

Stone Catow's Office

Now I brought all my AI layers into Photoshop as smart objects. This makes texturing and shading extremely easy. All it requires me to do is put my AI layer in place, put my texture on another layer above it, hold alt (on Mac) and click on the line between the two layers (your hand cursor will change to two circles overlapping). Doing this makes your texture masked by your AI shape (look at my layers in the image below to see).  What's really great about this is that you are free to edit, transform, and warp the texture as much as you please without worrying about losing your original shape of the AI layer. In many cases I would put another masked layer over the texture and using a large brush at low opacity I would paint in shadows to give the room a more realistic depth.  I found most of my textures at CG Textures. Texturing is the most fun for me because that site is literally a playground for stuff like this. They don't only have textures but they have buildings, doors, windows, rust, signs, posters, etc.

Below are the final results

Once my sets were complete I brought them into After Effects and imported them as Composition - Retain Layer Sizes. This keeps all my layers in the same order that I had them in Photoshop. I worked some animation magic and below is the result. Enjoy and keep your eye out for more episodes here.

Qualcomm Authorized Test Labs by Abe Vizcarra

Lately I've been really drawn to design that would make for good animation. Here is yet another example from Abe Vizcarra for Qualcomm Authorized Test Labs. I love the simplistic style of the design but what I enjoy even more is their overall mixture of photo treatment and graphical elements.

Josh Cooley

If you don't know Josh Cooley then you are sorely missing out.  He is a Story Artist at Pixar and his blog is a treasure trove of good humored fun. Check it out here.

Brent Couchman

Some really inspiring work here.  I love Brent's color and texture. His style lends itself perfectly to animation too.

Did You Know Sample

Today I feel like this.  Recently I was tasked with coming up with a creative way to display information in video for a client.  Normally in these situations animation can get very boring with text on screen after text on screen. So for this sample I wanted to try and make the text apart of the environment.  After putting this together the hairy armed client decided to go with their own stale branding instead. At least I got a shot piece for my reel I guess....

Photo of the Day - Untitled

Untitled, a photo by klOrklOr on Flickr.

Via Flickr:
Location: Sheung Wan, Hong Kong Island, Hong Kong

sooc, gotta love film :)

Bronica SQ-Ai, ZENZANON PS 80mm F2.8, Kodak Portra 160NC...

www.francoismarclay.com | Tumblr | making of my waterfalls project

How To Spot An Instagram Junkie

Loved the style of this infographic from Column Five Media almost as much as I love the truth behind it.

Photo of the Day - interbellum

interbellum, a photo by jes.b on Flickr.

The Shins : The Rifle's Spiral

A stunning compositional masterpiece from Jamie Caliri and his team for The Shins new track, The Rifle's Spiral. They shot this with a Canon 7D, 5D, and 60D and used Dragonframe to help with the animation. For moving shots they used a rig called the Volo by ARC Motion Control.

The Complete Animade Lernz

I love these little shorts from Animade, and up until this video I had only actually seen "Walk" and "Eyes". Truly inspirational work here.

Tenacious D - Rize of the Fenix

Happy Friday everyone.